Curriculum Vitae

Theater / Circus

Rocky Horror Picture Show

"Riff Raff"

Aloha Theater

Fool Proof

(Original, solo, clownesque show)

Various venues & Festivals

2016 to Present

Cirque du Soleil

Lead Clown performing solo acts

Principle in Clown Trio

Sound effects, mime

Audience member improvisation

General idiocy

Acting Coach

(Developing the character work of the other artists)

"Eddy" Saltimbanco

"Car/Cinema" Quidam 

"Handyman" Kooza

De La Guarda

Principal, performing aerial acrobatics

(New York City-Off Broadway)


Bill Irwin's Scapin

Keystone-cop physical shtick

(New York City-Broadway)


Gorilla Repertory Theatre Company NYC

Site specific, Shakespearean,



A Midsummer Night’s Dream


King Lear


Taming Of The Shrew


Film & TV

Object Of My Affection

Dir. Nicolas Hytner

Co-Star as "Paul"

Opposite Paul Rudd & Nigel Hawthorne

(also staring Jennifer Aniston)



A film by John Turturro

“Pupo”, the troublesome stagehand

(opposite Bill Irwin)


Unconditional Love

Dir. P.J. Hogan


The Confession

Dir. Harry Fertig


Sex In The City

"The Post-It Always Sticks Twice"



Ecole Jaques Lecoq

(2 year Graduate)

Ecole Philippe Gaulier


ETW in Paris

Theater & Mask

(Théâtre du Soleil)

New York University

Experimental Theatre Wing

Lee Strasburg


Atlantic School

(New York City)

some shows i did
CV - 2018.pdf
Adobe Acrobat document [262.8 KB]

Detailed Description of Skills

Audiance Participation


Many years experience performing different clown numbers where I ask a member of the audience to be my partner. I use physical contact and eye contact to gain there trust. It is our human dynamic that makes the numbers not just funny but inspiring. Ultimately, it is the him/her who is the star of the show



Not an excellent juggler, but I can do some simple, club passing

MimeSound Effects


Not a classically trained pantomime but I can be very specific and expressive in my movements. Making sounds for things helps the illusion. It’s nice having the mime and the sounds to play with as part of the composition; it makes for very strong rhythm and timing

Harnessed Aerial


Much experience flying in a 360°, center point clip-in harness. This means that hanging from the end of a dynamic line I have spun, rotated, dived, run on walls, lifted audience into the air... while wet

Harmonica, Guitar & Ukulele


Self-taught. Slightly proficient. With some practice I can hold down a tune



Wouldn’t want to make a habit of doing it, but I can blast a pretty good plume



Comfortable leading with the gear and hanging out in the vertical world

some things i can do
Detailed Description of Skills.pdf
Adobe Acrobat document [1.5 MB]
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